User manual EDIROL M-300 BROCHURE

[. . . ] The system provides superior clear sound, great intelligibility and with the wide range of Digital Snakes and REAC Merge Technology there is incredible flexibility for placement of audio inputs and outputs on-stage, off-stage, at FOH or in amplifier rooms. Advantage #2 Intuitive User Interface Knobs and buttons for Preamp, EQ, and PAN are located on the front panel of the V-Mixer for intuitive, analog-like operation. Dedicated buttons for direct access to the patchbay and effects are also located on the front panel. With the on-board HELP system it's easy to learn and operate the V-Mixer. Advantage #3 The Musician's Choice for Personal Mixing Stage monitoring is crucial in getting the best performance from any artist. The V-Mixing System seamlessly integrates with the M-48 Live Personal Mixer allowing full control of set-up and mixing of any musician's M-48 directly from the V-Mixer interface. [. . . ] Fátima Sanctuary has two V-Mixing Systems: one in the control room of the sanctuary as a central point for audio monitoring and a second unit in the new Church of the Holy Trinity with a capacity of 9000. Covenant Family Worship Center, USA At Covenant Family Worship Center (a multi-cultural, non-denominational church in Fredericksburg, Virginia), technology and media department head Stephen W. Stafford uses the V-Mixing System including the Live Personal Mixing system for regular Sunday services and other events. He finds that the V-Mixing System has "allowed us to utilize volunteers with little or no previous audio engineering experience to effectively control the audio system". He reflects that the benefits of the personal monitoring system are twofold. "First, it relieves the audio volunteers from the additional responsibility and concern for the monitor mix. Second, it allows each musician to tailor their stage mix as needed on an individual basis. " Stafford acknowledges he enjoys the "store and recall of settings, and signal integrity over Cat5. In total, I've experienced state-of-the-art audio production on an unrivaled affordability scale. " Trent FM Arena Nottingham, UK The arena, which is based inside the National Ice Centre, holds many concerts/events for major acts with a capacity of 10, 000. Adam Timson facilities manager says "The brief we were working to was the seamless replacement of our large 32 channel analog mixing desk ensuring there would be no loss of quality, features or usability. We looked at quite a few different options but after consultation with Simon Taylor of One Big Star and Andy Hague, our tame sound engineer, we decided the M-380 V-Mixer with Digital Snake best suited our needs and budget. It has a 19" footprint which allows us to move it easily and the Digital Snake means we can plug it in using just a single mains lead and single Cat5 cable. Since the M-380 was installed we have been happy with its performance and find the menus easy to navigate. We are able to save specific set ups and still adjust on the fly when we need to. The desk is as flexible as we are. " From Analog Console to V-Mixing System Much more than just a console replacement. Unlike other digital consoles, the V-Mixing System is not just a simple digital version of an analog console. The V-Mixing System offers a total solution for audio input and output transmission/splitting, personal mixing and multi-channel recording in a totally integrated system. As the centerpiece of the system, the V-Mixer includes a built-in recording/playback function and effects, digital scene recall and user customizations and level management. To replicate all the functions of the M-300 with an analog console system, a vast array of equipment would be required. A 32ch analog console, 32 separate compressors, 32 separate gates, 4 separate stereo multi-effect units, 15 separate 8-band parametric EQs and delays, and a digital recorder. All that is built into the M-300 with the added ability for every setup to be easily saved and recalled. More than a console - it's a complete system. Large Analog SR Console + Outboard Effects Racks IN 5 Compact Size: 749 (W) × 626 (D) × 229 (H) mm Light Weight: 9. 8kg Cutting Edge Features Control remotely from a PC The M-300 interfaces with a variety of devices Control remotely using a wireless LAN By enabling Remote Desktop Connection on a local PC directly connected to the M-300 via the USB, the M-300 can be controlled remotely from another PC using a wireless L AN. For example, you can be seated in the audience to adjust the house mix during the rehearsal, or stand onstage to adjust the monitor mix while consulting the stage performer. [. . . ] The 4 multi-effects processors can be set to use any of 11 different effects types. In addition to Reverb and Delay, modulation effects such as Chorus and Phaser are also available. The M-300's busses are also equipped with 8 bands of fully Parametric EQ and Signal Delay on each Aux, Matrix and Main output. The M-300 is fully equipped with all of the sound adjustment tools built-in and ready to go. Built-in 2 REAC ports allows flexible system configuration A 40ch 40ch 4xXLR 4xTRS 4xRCA B 40ch 40ch 32 Mixing Ch L/C/R Outputs 8 AUX 4 Matrix 4xXLR 4xTRS 2xDigital Phones USB memory recorder/player Advanced Control Surface Design The M-380 and M-400 V-Mixers are highly regarded for their ease of use and the M-300 continues this tradition starting with 17 x 100mm motorized faders. [. . . ]