User manual EDIROL PR-1000HD

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EDIROL PR-1000HD : Download the complete user guide (16497 Ko)

You may also download the following manuals related to this product:

   EDIROL PR-1000HD BROCHURE (693 ko)
   EDIROL PR-1000HD ANNEXE 614 BROCHURE (697 ko)

Manual abstract: user guide EDIROL PR-1000HD

Detailed instructions for use are in the User's Guide.

[. . . ] Owner's Manual PR-1 000 HD 201a 201b Before using this unit, carefully read the sections entitled: "IMPORTANT SAFETY INSTRUCTIONS" (p. These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner's Manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. 220 Copyright © 2007 ROLAND CORPORATION All rights reserved. [. . . ] When V-LINK is turned on, you can have the set up be made in accordance with the MIDI device rather than the PR-1000HD's MIDI preferences, and functions appropriate for the MIDI device can be assigned. You cannot save changes to the PR-1000HD's MIDI settings made when V-LINK is active. The main Presenter functions that can be controlled with MIDI are shown below. · Selecting palettes · Starting and stopping playback of clips · Changing the retrigger point · Changing the playback speed · Changing the transition effect time · Changing audio levels · Controlling Time Trip · Controlling output fades Refer to the owner's manual for each MIDI device for more information on the device's compatibility. In addition, for details on controlling with MIDI without using the V-LINK function, refer to "Controlling Presenter with MIDI. " When Presenter receives a MIDI System Exclusive V-LINK ON message, the V-LINK function switches on, allowing you to set up and control Presenter using V-LINK messages. For more detailed information on these messages, refer to the MIDI Implementation and the V-LINK Message List. V-LINK compatible MIDI devices set up both Presenter and the MIDI device, without necessitating any user awareness of V-LINK messages, providing easy control of Presenter during musical performances. For details on support by specific MIDI devices, refer to the owner's manual of that device. For details on controlling the PR-1000HD via MIDI without using the V-LINK functionality, refer to ("Using MIDI Devices" (p. The functions that can be controlled may vary with the VLINK compatible MIDI device. You cannot save changes to the PR-1000HD's MIDI settings made when V-LINK is active. The same MIDI messages are received whether the V-LINK function is on or not. 62 Practical Use of the PR-1000HD 7 Making the Settings for the Project You can make more detailed settings for projects in Presenter's Edit mode. 63) You can alter names, rearrange palette sequences, delete clips in palettes, and perform other editing functions. 2. 65) You can make the Loop mode settings for all of the clips in a palette simultaneously. 3. 66) You can edit clip names, rearrange the sequence of clips, and copy and delete clips. 4. 68) Here you can set each clip's Loop Mode settings, In point and Out point, volume levels, and more. 5. Changing the Material Settings "Changing Material Settings" (p. 74) You can edit material names as well as copy and delete materials. 6. Setting Automatic Playback "Setting Automatic Playback" (p. 75) You can have specified clips play back automatically when projects are loaded. Editing Palettes Here you can change palette names, rearrange palette sequences, delete clips in palettes, and perform other editing functions. To edit a palette, right-click on the palette and work from the context menu that is displayed. Practical Use fig. edit. palette01. fig. edit. palette01. eps Context menu Palettes list 63 Practical Use of the PR-1000HD -- Making the Settings for the Project Changing Palette Names 1. Right-click on the name of the palette whose name you want to change in the "Palettes" list. A context menu appears. 2. [. . . ] 75 Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Materials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 Network . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100 Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]

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