User manual MARANTZ PM-11S1
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MARANTZ PM-11S1 Product Brochure (3633 ko)
Manual abstract: user guide MARANTZ PM-11S1
Detailed instructions for use are in the User's Guide.
[. . . ] Model PM-11S1 User Guide Integrated Amplifier
ENGLISH
WARRANTY For warranty information, contact your local Marantz distributor. RETAIN YOUR PURCHASE RECEIPT Your purchase receipt is your permanent record of a valuable purchase. It should be kept in a safe place to be referred to as necessary for insurance purposes or when corresponding with Marantz. IMPORTANT When seeking warranty service, it is the responsibility of the consumer to establish proof and date of purchase. [. . . ] Set the phono equalizer amplifier according to the type of cartridge you use. Turn the VOLUME knob on the PM-11S1 to the right or press the VOLUME 3 button on the remote controller.
!4 Side Illumination
The side illumination casts a blue light over switches and buttons. For instructions on how to operate the side illumination, see "HOW TO OPERATE THE SIDE ILLUMINATION" on pg. 0. 5 dB steps
Turn the VOLUME knob on the PM-11S1 to the left or press the VOLUME 4 button on the remote controller.
DISPLAY
Min The display panel also displays left-right level balance and tone control trimming level. For instructions on how to adjust bass and treble, see "How to Trim Bass" and "How to Trim Treble" on pg. The display panel also displays messages in response to PM-11S1 operation.
OPERATE
!7 OPERATE Indicator
This indicator indicates the operating status of the PM11S1. When the ID is set to "0" for standalone operation, it is lit a red color. When multiple PM-11S1s are connected by FCBS, only the OPERATE indicator of the master PM11S1 (ID 1) lights a red color. Slave PM-11S1s whose OPERATE indicator does not light a red color cannot be used to operate other units in sync. For troubleshooting procedures, see "TROUBLESHOOTING" on pg. 22.
!5 Power Indicator
This indicator is lit a blue color while power to the PM11S1 is ON.
11
ENGLISH
NAMES AND FUNCTIONS OF PARTS
ENGLISH
REAR PANEL
3 2 1 2
3 1
AC IN
A PHONO GND Terminal
Connect the grounding wire from an analog record player here.
H PREOUT Jacks
These jacks are for connecting to the input jacks of another main amplifier or active subwoofer. Output signals can be turned ON/OFF from the PRE OUT button on the front panel. In the bi-amp mode, the signals input to the L channel are output to both output jacks.
B PHONO Input Jacks
These jacks are for connecting to an analog record player. Both MC and MM cartridges can be used, therefore set the PHONO MC button on the front panel according to the type of cartridge you are using. In the bi-amp mode, the R channel jack cannot be used.
I SPEAKER SYSTEMS Output Terminals
You can connect 2 speaker systems to the PM-11S1. Speaker output can be turned ON/OFF from the SPEAKER A and B buttons on the front panel. In the bi-amp mode, the signals input to the L channel are output to both output terminals.
C BALANCED INPUT Jacks
These jacks are for connecting to the balanced output jacks of a CD player or D/A converter. With the BALANCED INPUT jacks of the PM-11S1, pin 1 is GND, pin 2 is Cold and pin 3 is Hot. IN/OUT Jacks
You can connect and synchronize up to four PM-11S1s in a complete bi-amp connection or multi-channel connection. A stereo miniplug or monaural miniplug cable can be used for the connections. For instructions on use and connections, see "ABOUT FCBS" on pg. 17.
D CD Input Jacks
These jacks are for connecting to the output jacks of a Super Audio CD player, CD player, etc. [. . . ] 200W x 2 (4 load) Total frequency distortion (20Hz 20kHz simultaneous drive of both channels, 8 load) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5Hz ~ 120kHz±3dB Dumping factor (8 load, 20Hz 20kHz) . . . . . . . . . . . . . . . . . . . . . . . 100 Input sensitivity/Input impedance PHONO (MC) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270µV/100 PHONO (MM) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]
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