Detailed instructions for use are in the User's Guide.
[. . . ] With the initial settings, this is Pitch Modulation Depth.
Portamento Time (Controller number 5)
Status BnH 2nd bytes 05H 3rd byte vvH : 0H-FH (ch. 1-ch. 16) : 00H-7FH (0-127), Initial value = 00H (0)
n = MIDI channel number kk = note number vv = note off velocity * *
For Drum Parts, these messages are received when Rx. NOTE OFF = ON for each Instrument. The velocity values of Note Off messages are ignored.
n = MIDI channel number vv = Portamento Time *
This adjusts the rate of pitch change when Portamento is ON or when using the Portamento Control. A value of 0 results in the fastest change.
Note on
Status 9nH 2nd bytes kkH 3rd byte vvH : 0H-FH (ch. 1-ch. 16) : 00H-7FH (0-127) : 01H-7FH (1-127)
Data Entry (Controller number 6, 38)
Status BnH BnH 2nd bytes 06H 26H 3rd byte mmH llH
n = MIDI channel number kk = note number vv = note on velocity * *
Not received when Rx. NOTE MESSAGE = OFF. (Initial value is ON) For Drum Parts, not received when Rx. NOTE ON = OFF for each Instrument.
n = MIDI channel number : 0H-FH (ch. 1-ch. 16) mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB
Volume (Controller number 7)
Status BnH 2nd bytes 07H 3rd byte vvH : 0H-FH (ch. 1-ch. 16) : 00H-7FH (0-127), Initial Value = 64H (100)
Polyphonic Key Pressure
Status AnH 2nd bytes kkH 3rd byte vvH : 0H-FH (ch. 1-ch. 16) : 00H-7FH (0-127) : 00H-7FH (0-127)
n = MIDI channel number kk = note number vv = key pressure * *
n = MIDI channel number vv = Volume * *
Volume messages are used to adjust the volume balance of each Part. [. . . ] When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Selects whether the left and right phase of the modulation will be the same or the opposite. Amount of feedback Adjusts the proportion of the phaser sound that is fed back into the effect. Level of the phase-shifted sound Gain of the low range Gain of the high range Output Level
10
Pre Amp Bright
0-1
0-127 (MATCH DRIVE: -127 0) OFF, ON
0129: MULTI STAGE PHASER
Extremely high settings of the phase difference produce a deep phaser effect.
11
Speaker Sw
0-1
OFF, ON
12 13
Speaker Type # Mic Setting
0 - 15 0-2
(See the table. ) 1, 2, 3
14 15 16 17
Mic Level Direct Level Pan Level
0 - 127 0 - 127 0 - 127 0 - 127
0-127 0-127 L64-63R 0-127
Turning this "On" produces a sharper and brighter sound. This parameter applies to the "JC120, " "Clean Twin, " and "BG Lead" Pre Amp Types. Determines whether the signal passes through the speaker (ON), or not (OFF). Type of speaker Adjusts the location of the mic that's capturing the sound of the speaker. This can be adjusted in three steps, from 1 to 3, with the mic becoming more distant as the value increases. Volume of the microphone Volume of the direct sound Stereo location of the output Output level
No 1
Parameter Mode
Value 0-5
2 3 4 5 6 7 8 9 10 11 12
Manual # Rate sync Rate # Rate Depth Resonance Mix Pan Low Gain High Gain Level
0 - 127 0-1 1 - 127 0 - 21 0 - 127 0 - 127 0 - 127 0 - 127 0 - 30 0 - 30 0 - 127
Default 4-STAGE, 8-STAGE, 12-STAGE, 16-STAGE, 20-STAGE, 24-STAGE 0-127 Hz, note 0. 05-10. 00 Hz note (*1) 0-127 0-127 0-127 L64-63R -15- +15 dB -15- +15 dB 0-127
Description Number of phaser stages
Specifications of each Speaker Type The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. Type SMALL 1 SMALL 2 MIDDLE JC-120 BUILT-IN 1 BUILT-IN 2 BUILT-IN 3 BUILT-IN 4 BUILT-IN 5 BG STACK 1 BG STACK 2 MS STACK 1 MS STACK 2 METAL STACK 2-STACK 3-STACK Cabinet small open-back enclosure small open-back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure sealed enclosure large sealed enclosure large sealed enclosure large sealed enclosure large double stack large double stack large triple stack Speaker 10 10 12 x 1 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 4 12 x 4 12 x 4 12 x 4 12 x 4 Microphone dynamic dynamic dynamic dynamic dynamic condenser condenser condenser condenser condenser condenser condenser condenser condenser condenser condenser
Adjusts the basic frequency from which the sound will be modulated. When this is set to "note, " the effect is synchronized with the tempo. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the degree of phase shift of the left and right sounds when the wah effect is applied. Gain of the low range Gain of the high range Output Level
4 5 6 7 8 9
Rate sync Rate # Rate Depth # Phase Feedback
0-1 1 - 127 0 - 21 0 - 127 0 - 90 0 - 98
Hz, note 0. 05-10. 00 Hz note (*1) 0-127 0-180 deg -98- +98 %
2 3
Manual # Peak
0 - 127 0 - 127
0-127 0-127
10
Output Mode
0-1
SPEAKER, PHONES
4 5
Sens Polarity
0 - 127 0-1
0-127 UP, DOWN
11 12 13 14
Low Gain High Gain Balance Level
0 - 30 0 - 30 0 - 100 0 - 127
-15- +15 dB -15- +15 dB D100:0WD0:100W 0-127
6 7 8 9 10
Rate sync Rate # Rate Depth Phase
0-1 1 - 127 0 - 21 0 - 127 0 - 90
Hz, note 0. 05-10. 00 Hz note (*1) 0-127 0-180 deg
11 12 13
Low Gain High Gain Level
0 - 30 0 - 30 0 - 127
-15- +15 dB -15- +15 dB 0-127
19
0103: HUMANIZER
Adds a vowel character to the sound, making it similar to a human voice. No 1 2 3 4 5 6 7 8 9 Parameter Drive Sw Drive # Vowel1 Vowel2 Rate sync Rate Rate # Depth Input Sync Sw Value 0-1 0 - 127 0-4 0-4 0-1 1 - 127 0 - 21 0 - 127 0-1 Default OFF, ON 0-127 a, e, i, o, u a, e, i, o, u Hz, note 0. 05-10. 00 Hz note (*1) 0-127 OFF, ON Description Turns Drive on/off. When this is set to "note, " the effect is synchronized with the tempo. Frequency at which the two vowels switch (Hz) Frequency at which the two vowels switch (note) Effect depth Determines whether the LFO for switching the vowels is reset by the input signal (ON) or not (OFF). Volume level at which reset is applied Point at which Vowel 1/2 switch 49 or less: Vowel 1 will have a longer duration. Gain of the low frequency range Gain of the high frequency range Stereo location of the output Output level
No 8
Parameter Level
Value 0 - 127
Default 0-127
Description Output Level
012c: SLICER
By applying successive cuts to the sound, this effect turns a conventional sound into a sound that appears to be played as a backing phrase. No 1 2 3 4 5 Parameter Rate sync Rate Rate # Attack Input Sync Sw Value 0-1 1 - 127 12 - 21 0 - 127 0-1 Default Hz, note 0. 05-10. 00 Hz note (*1) 0-127 OFF, ON Description When this is set to "note, " the effect is synchronized with the tempo. Rate at which the 16-step sequence will cycle (Hz) Rate at which the 16-step sequence will cycle (note) Speed at which the level changes between steps Specifies whether an input note will cause the sequence to resume from the first step of the sequence (ON) or not (OFF) Volume at which an input note will be detected Sets the manner in which the volume changes as one step progresses to the next. LEGATO: The change in volume from one step's level to the next remains unaltered. [. . . ] Output Level
020a: FLANGER-->DELAY
This effect connects a flanger and a delay in series. No 1 Parameter Flanger Pre Delay Flanger Rate sync Flanger Rate Flanger Rate Flanger Depth Flanger Feedback Value 0 - 125 Default 0. 0-100. 0 ms Description Adjusts the delay time from when the direct sound begins until the flanger sound is heard. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the proportion of the flanger sound that is fed back into the effect. [. . . ]